An observational look at film vs digital cinematography, exploring resolution, grading, texture, low-light performance and modern DFD workflows.

How IMAX and large format filmmaking are reshaping cinema in the streaming era, from exhibition strategy to studio investment

The myth of expensive film: why shooting on celluloid isn’t as costly as it seems, and how a disciplined approach can rival digital workflow

Three days at the BSC Expo exploring 65mm film, the Logmar Magellan 65, high-speed K65K camera, seminars, and reconnecting with industry pee

A cinematographer’s perspective on what film stock testing really teaches — beyond charts and specifications — exploring exposure, tonal re

Award-winning cinematographer Mark Wiggins reflects on timeless lighting advice from Paul Beeson BSC—why lighting by eye still matters in fi

What shooting 16mm film taught me about discipline, exposure, performance, and decision-making — and why those lessons still matter in a dig

As film production returns across 16mm, 35mm and 65mm, cinematographer Mark Wiggins explains why celluloid knowledge is becoming vital

A cinematographer’s journey from 16mm to 65mm film. My degrees of separation from Christopher Nolan.

Cinematographer Mark Wiggins explores the Logmar Magellan 65mm camera and the launch of the Salford Centre for Celluloid Excellence, support

Discover why celluloid is making a major comeback in 2026—from new 65mm cameras to Remjet-less film stocks—and what this revival means.

Veteran cinematographer Mark describes the "digital shock": not the arrival of digital cameras, but the panic of seeing Arri & Aaton film ca

“Cinematographer Mark Wiggins introduces his filmmaking blog, sharing industry insights, career reflections, and behind-the-scenes perspect