Think shooting film is complicated? Discover how digital cinematographers can make the move to celluloid with practical advice on exposure, metering, film stocks, testing and working with a film lab.

Why did 65mm film settle on five perforations? Explore the history of Todd-AO, the Philips DP70 projector, 70mm cinema and the revival of large-format film.

Vittorio Storaro’s Univisium proposed a 2:1 aspect ratio and a future built around HD and 65mm. This article explores how his ideas anticipated the rise of 2:1 in streaming, Netflix, and the resurgence of large-format film.

As large-format film moves further into mainstream filmmaking, could the industry face a 65mm bottleneck? This article explores the growing demand for 65mm cameras, lenses, technicians, processing and scanning capacity, and what it could mean for the future of shooting on film.

From The Odyssey to Black Panther 3, is large-format celluloid becoming mainstream? Exploring the resurgence of 65mm film and IMAX cinema.

Three days at the BSC Expo exploring 65mm film, the Logmar Magellan 65, high-speed K65K camera, seminars, and reconnecting with industry pee

A cinematographer’s perspective on what film stock testing really teaches — beyond charts and specifications — exploring exposure, tonal re

What shooting 16mm film taught me about discipline, exposure, performance, and decision-making — and why those lessons still matter in a dig

As film production returns across 16mm, 35mm and 65mm, cinematographer Mark Wiggins explains why celluloid knowledge is becoming vital

A cinematographer’s journey from 16mm to 65mm film. My degrees of separation from Christopher Nolan.

Cinematographer Mark Wiggins explores the Logmar Magellan 65mm camera and the launch of the Salford Centre for Celluloid Excellence, support

Discover why celluloid is making a major comeback in 2026—from new 65mm cameras to Remjet-less film stocks—and what this revival means.